Atomos Shogun Inferno 7″ 4K HDMI/Quad 3G-SDI/12G-SDI Recording Monitor

The Atomos Shogun Inferno is a 7″, 1920 x 1200 on-camera recording monitor that combines 4K recording with a 10-bit FRC panel that supports native display of HDR (log) footage as well as high-brightness viewing of Rec. 709 footage. It utilizes 4K HDMI and 12G-SDI inputs to support clean output signals at resolutions up to UHD 4K (3840 x 2160) at 60 fps, recording it to 2.5″ SSDs using 10-bit, 4:2:2 Apple ProRes, and Avid DNxHR codecs. The Inferno, unlike the similar Shogun Flame, supports Quad 3G-SDI input. It even supports DCI 4K (4096 x 2160) raw video streams over SDI from select Sony and Canon cameras, encoding it as ProRes/DNxHR files.

The monitor features 10-bit FRC processing and AtomHDR display technology support a 10-stop brightness range, allowing you to more accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor offers built-in presets to accurately translate popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video remained unaltered.

In addition to HDR monitoring, the monitor also offers a High Bright mode for traditional Rec. 709 monitoring. This mode takes advantage of the full 1500 cd/m² brightness to allow for more confident monitoring in bright outdoor environments, even without a sun hood. In HDR mode, use of an optional snap-on sun hood is required, as displaying a wider brightness range reduces the overall brightness of the monitor.

Built to withstand the rigors of production, the Shogun Inferno features built-in protective armor that features silicone-covered corners and chamfered edges. Compared to the original Shogun, the Inferno now features dual Sony L-series battery plates that support battery hot swapping, enabling longer runtimes. For audio recording, the monitor supports balanced XLR inputs with +48V phantom power via an included audio breakout cable. Additional features included genlock/LTC input, SDI/HDMI cross conversion, and a variety of on-screen exposure analysis, framing, and focus assist tools.

Monitor

  • 1920 x 1200 resolution
  • 10-bit FRC monitoring processing
  • 1500 cd/m² brightness
  • AtomHDR technology displays 10 stops of dynamic range to natively display HDR (log) footage
  • Presets for viewing log gamma curves from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras
  • High Bright mode for Rec. 709 viewing
  • Supports custom 3D LUTs (.cube format)
  • Anamorphic de-squeeze: 2x, 1.5x, 1.33x, Panasonic 8:3
  • UHD 4K downscale for HD monitoring

Input/Output

  • 4K HDMI and 12G-SDI inputs/outputs
  • Four 3G-SDI inputs (or single 12G-SDI)
  • SDI/HDMI cross conversion
  • Genlock/LTC input
  • Audio breakout cable for XLR audio input

Recording

  • UHD 4K recording at 24/25/30/50/60 fps in ProRes or DNxHR
  • 1080p recording up to 240 fps
  • 10-bit 4:2:2 ProRes and DNxHR recording to SSD/HDD media
  • 4K raw to ProRes/DNxHR recording over SDI from Sony FS700, Sony FS7, Canon C300 Mark II, and Canon C500
  • ProRes Raw and ProRes Raw HQ
  • Record up to 5.7p30, 4Kp60, HDp240
  • Pre-roll record (HD 8 seconds, 4K 2 seconds)
  • Custom time-lapse mode
  • Ten metadata fields

Additional Features

  • Dual Sony L-series battery slots support hot swapping for continuous power
  • Built-in armor with silicone-covered corners
  • Audio level meters and mic level adjustment
Weight
Without batteries & media709g / 25.0oz
With batteries & media1153g / 40.7oz
Dimensions (W x H x D mm)214 x 127 x 45mm, 8.4 x 5 x 1.8”
ConstructionHigh quality lightweight ABS Polycarbonate for durability & portability
Built-in armor protection
Power
Operating power10 – 27W
Compatible batteriesNP series and supporting accessories
Input voltage (battery)6.2V to 16.8V
Battery time (based on 7.4V)
5200mAh – up to 1.5hrs (monitor & record 4K 30p)
7800mAh – up to 2.2hrs (monitor & record 4K 30p)
DC In1 x DC in (6.2 – 16.8V)
Continuous powerPrimary-secondary battery system Change batteries without losing power Loop batteries continuously
* Patent pending
Touchscreen
Size7.1”
Resolution1920 x 1200
PPI325
Aspect ratio16:9 native
Color GamutREC709 HDTV
Look up table (LUT) support3D LUT (.cube le format)
Anamorphic de-squeeze2x, 1.5x, 1.33x, Panasonic 8:3
TechnologySuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit
HDR
AtomHDRYes
Supported Log formatsSony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilm
Supported GamutsSony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / BT2020 / DCI P3 / DCI P3
Panasonic V Gamut
Arri Alexa Wide Gamut
Bit depth10-bit (8 2 FRC)
Brightness1500nit ( /- 10%)
PQ in/outYes / Yes
In = Post   Out = Monitor
Video input/loop out
HDMI1 x HDMI (2.0)
SDIQuad link 4 x 3G SDI or up to 12G single link SDI
SignalUncompressed true 10-bit or 8-bit 422
(camera dependent)
Video output (play out)
HDMI1 x HDMI (2.0)
SDI1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G
SignalUncompressed true 10-bit or 8-bit 422
(playback file dependent)
Supported loop out formats
HDMI to HDMI720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
SDI to SDI720p 50/60, 1080i 50/60
1080pSF 24/25/30
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
Video signal conversion
HDMI to SDI720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
SDI to HDMI720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
Supported Codecs & frame rates (record & playback)
Raw to CDNG (Record only)*Codecs Cinema DNG for supported cameras (Sony FS5/FS7/
FS700, Canon C300MKII, C500, Panasonic Varicam
RAW*)
Frame rates 4K DCI / 4K UHD; 24/25/30p
2K / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120p
Raw to ProRes / DNxHRCodecs Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LB
Frame rates 4K DCI / 4K UHD; 24/25/30/50/60p
2K*** / 1080p; 24/SF24/25/SF25/30/
SF30/50/60/100/120/200/240p
Video to ProRes / DNxHRCodecs Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LB
Frame rates 4K DCI / 4K UHD; 24/25/30/50/60p
2K*** / 1080p; 24/SF24/25/SF25/30/
SF30/50/60/100/120/200/240p
1080i; 50/60i
720p; 50/60p
Onboard processing
Pulldown removal24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
4K UHD downscale for HD monitoringYes – Loop-out and playback (Not available in RAW)
Audio in/out (48kHz PCM audio)
HDMI2 or 8ch 24-bit, camera dependent
SDI12ch 48kHz 24-bit
Audio2ch balanced XLR analog in/out
Dynamic range >90dB
Max signal level 24dBu
Max analog gain 52dB
48V Phantom Power for Mic
Remote start/stop
HDMIAuto HDMI Trigger
Supported Protocols – Canon, Sony, Atomos Open Standard
SDISDI trigger camera selectable
OtherLANC control – Slave
Playback
PlaylistYes
Genlock / LTCYes / Yes
Playback
Pre-roll recordYes (HD 8s, 4K 2s)
Custom timelapseYes
Meta data taggingYes (10 tags available)
Supported media4K / HD (50/60/120p*)
(Approved List Only)SSD 2.5”, HDD (7,200 up to 1080p60)
HD
SSD 2.5”, HDD (5,400 up to 1080p30)
Master caddy caseMaster Caddy II (included)
75mm x 105mm x 12mm
Master caddy dock2.5” SATA to USB 2.0/3.0
Supported applicationsSupported Applications FCPX/FCP7 / Media Composer
5.0 / Premiere 5.5
EDIUS 6.0 / Vegas Pro 10 / Lightworks /
Autodesk Smoke 2015
XML supportFCPX XML native, FCP7 supported with conversion
(Adobe compatible)
Accessories includedShogun Inferno unit, Custom yellow HPRC case,
Control cable, XLR breakout cable, 2x NP-F750
5200mAh batteries, Fast battery charger, SATA 3/2 to
USB 3/2 HDD/SSD docking station, DC to D-Tap coiled
cable, Master Caddy II x 5, 12V-3A AC adapter x 2
(Fast charger & DC power), HDR sunhood
Optional extrasAtomos HDMI cable, X-Rite calibration