The Atomos Shogun Inferno is a 7″, 1920 x 1200 on-camera recording monitor that combines 4K recording with a 10-bit FRC panel that supports native display of HDR (log) footage as well as high-brightness viewing of Rec. 709 footage. It utilizes 4K HDMI and 12G-SDI inputs to support clean output signals at resolutions up to UHD 4K (3840 x 2160) at 60 fps, recording it to 2.5″ SSDs using 10-bit, 4:2:2 Apple ProRes, and Avid DNxHR codecs. The Inferno, unlike the similar Shogun Flame, supports Quad 3G-SDI input. It even supports DCI 4K (4096 x 2160) raw video streams over SDI from select Sony and Canon cameras, encoding it as ProRes/DNxHR files.
The monitor features 10-bit FRC processing and AtomHDR display technology support a 10-stop brightness range, allowing you to more accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor offers built-in presets to accurately translate popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video remained unaltered.
In addition to HDR monitoring, the monitor also offers a High Bright mode for traditional Rec. 709 monitoring. This mode takes advantage of the full 1500 cd/m² brightness to allow for more confident monitoring in bright outdoor environments, even without a sun hood. In HDR mode, use of an optional snap-on sun hood is required, as displaying a wider brightness range reduces the overall brightness of the monitor.
Built to withstand the rigors of production, the Shogun Inferno features built-in protective armor that features silicone-covered corners and chamfered edges. Compared to the original Shogun, the Inferno now features dual Sony L-series battery plates that support battery hot swapping, enabling longer runtimes. For audio recording, the monitor supports balanced XLR inputs with +48V phantom power via an included audio breakout cable. Additional features included genlock/LTC input, SDI/HDMI cross conversion, and a variety of on-screen exposure analysis, framing, and focus assist tools.
Weight | |
Without batteries & media | 709g / 25.0oz |
With batteries & media | 1153g / 40.7oz |
Dimensions (W x H x D mm) | 214 x 127 x 45mm, 8.4 x 5 x 1.8” |
Construction | High quality lightweight ABS Polycarbonate for durability & portability |
Built-in armor protection | |
Power | |
Operating power | 10 – 27W |
Compatible batteries | NP series and supporting accessories |
Input voltage (battery) | 6.2V to 16.8V |
Battery time (based on 7.4V) | – |
5200mAh – up to 1.5hrs (monitor & record 4K 30p) | |
7800mAh – up to 2.2hrs (monitor & record 4K 30p) | |
DC In | 1 x DC in (6.2 – 16.8V) |
Continuous power | Primary-secondary battery system Change batteries without losing power Loop batteries continuously |
* Patent pending | |
Touchscreen | |
Size | 7.1” |
Resolution | 1920 x 1200 |
PPI | 325 |
Aspect ratio | 16:9 native |
Color Gamut | REC709 HDTV |
Look up table (LUT) support | 3D LUT (.cube le format) |
Anamorphic de-squeeze | 2x, 1.5x, 1.33x, Panasonic 8:3 |
Technology | SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit |
HDR | |
AtomHDR | Yes |
Supported Log formats | Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, |
Panasonic Vlog, JVC JLog, Red LogFilm | |
Supported Gamuts | Sony SGamut / SGamut3 / SGamut3.cine |
Canon Cinema / BT2020 / DCI P3 / DCI P3 | |
Panasonic V Gamut | |
Arri Alexa Wide Gamut | |
Bit depth | 10-bit (8 2 FRC) |
Brightness | 1500nit ( /- 10%) |
PQ in/out | Yes / Yes |
In = Post Out = Monitor | |
Video input/loop out | |
HDMI | 1 x HDMI (2.0) |
SDI | Quad link 4 x 3G SDI or up to 12G single link SDI |
Signal | Uncompressed true 10-bit or 8-bit 422 |
(camera dependent) | |
Video output (play out) | |
HDMI | 1 x HDMI (2.0) |
SDI | 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G |
Signal | Uncompressed true 10-bit or 8-bit 422 |
(playback file dependent) | |
Supported loop out formats | |
HDMI to HDMI | 720p 50/60, 1080i 50/60, |
1080p 24/25/30/50/60/100/120/200*/240* | |
2160p 24/25/30/50/60 | |
SDI to SDI | 720p 50/60, 1080i 50/60 |
1080pSF 24/25/30 | |
1080p 24/25/30/50/60/100/120/200*/240* | |
2160p 24/25/30/50/60 | |
Video signal conversion | |
HDMI to SDI | 720p 50/60, 1080i 50/60, |
1080p 24/25/30/50/60/100/120/200*/240* | |
2160p 24/25/30/50/60 | |
SDI to HDMI | 720p 50/60, 1080i 50/60, |
1080p 24/25/30/50/60/100/120/200*/240* | |
2160p 24/25/30/50/60 | |
Supported Codecs & frame rates (record & playback) | |
Raw to CDNG (Record only)* | Codecs Cinema DNG for supported cameras (Sony FS5/FS7/ |
FS700, Canon C300MKII, C500, Panasonic Varicam | |
RAW*) | |
Frame rates 4K DCI / 4K UHD; 24/25/30p | |
2K / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120p | |
Raw to ProRes / DNxHR | Codecs Apple ProRes HQ, 422, LT |
AVID DNxHR HQX. HQ, SQ, LB | |
Frame rates 4K DCI / 4K UHD; 24/25/30/50/60p | |
2K*** / 1080p; 24/SF24/25/SF25/30/ | |
SF30/50/60/100/120/200/240p | |
Video to ProRes / DNxHR | Codecs Apple ProRes HQ, 422, LT |
AVID DNxHR HQX. HQ, SQ, LB | |
Frame rates 4K DCI / 4K UHD; 24/25/30/50/60p | |
2K*** / 1080p; 24/SF24/25/SF25/30/ | |
SF30/50/60/100/120/200/240p | |
1080i; 50/60i | |
720p; 50/60p | |
Onboard processing | |
Pulldown removal | 24/25/30pSF > 24/25/30p (2:2 pulldown) |
60i > 24p (3:2 pulldown) | |
4K UHD downscale for HD monitoring | Yes – Loop-out and playback (Not available in RAW) |
Audio in/out (48kHz PCM audio) | |
HDMI | 2 or 8ch 24-bit, camera dependent |
SDI | 12ch 48kHz 24-bit |
Audio | 2ch balanced XLR analog in/out |
Dynamic range >90dB | |
Max signal level 24dBu | |
Max analog gain 52dB | |
48V Phantom Power for Mic | |
Remote start/stop | |
HDMI | Auto HDMI Trigger |
Supported Protocols – Canon, Sony, Atomos Open Standard | |
SDI | SDI trigger camera selectable |
Other | LANC control – Slave |
Playback | |
Playlist | Yes |
Genlock / LTC | Yes / Yes |
Playback | |
Pre-roll record | Yes (HD 8s, 4K 2s) |
Custom timelapse | Yes |
Meta data tagging | Yes (10 tags available) |
Supported media | 4K / HD (50/60/120p*) |
(Approved List Only) | SSD 2.5”, HDD (7,200 up to 1080p60) |
HD | |
SSD 2.5”, HDD (5,400 up to 1080p30) | |
Master caddy case | Master Caddy II (included) |
75mm x 105mm x 12mm | |
Master caddy dock | 2.5” SATA to USB 2.0/3.0 |
Supported applications | Supported Applications FCPX/FCP7 / Media Composer |
5.0 / Premiere 5.5 | |
EDIUS 6.0 / Vegas Pro 10 / Lightworks / | |
Autodesk Smoke 2015 | |
XML support | FCPX XML native, FCP7 supported with conversion |
(Adobe compatible) | |
Accessories included | Shogun Inferno unit, Custom yellow HPRC case, |
Control cable, XLR breakout cable, 2x NP-F750 | |
5200mAh batteries, Fast battery charger, SATA 3/2 to | |
USB 3/2 HDD/SSD docking station, DC to D-Tap coiled | |
cable, Master Caddy II x 5, 12V-3A AC adapter x 2 | |
(Fast charger & DC power), HDR sunhood | |
Optional extras | Atomos HDMI cable, X-Rite calibration |