RED cameras deliver stunning resolution and image quality—creating clean and organic images that bring your footage to life. The HELIUM sensors take the next step in exceeding beauty offered by film – up to 16.5x more resolution than HD—and over 4x more than 4K. For flexibility in any situation. A DSMC2 BRAIN is capable of data write speeds of 300 MB/s, and can simultaneously record in REDCODE RAW and Apple ProRes or Avid DNxHR/HD.
RED HELIUM 8K DSMC2 Camera Body Highlights:
- 35.4 Megapixel HELIUM CMOS (29.90mm x 15.77mm)
- 16.5+ stops
- REDCODE RAW up to 8K 2.4: 1 (8192 x 3456) and 75 fps
- Apple ProRes 422 HQ up to 4K (4096 x 2160) and 29.97 fps
- Avid DNxHR HQX up to 4K (4096 x 2160) 12 bit and 29.97 fps
- 3D LUT support
- Integrated WIFI antenna
- Weight: 1.50kg (BRAIN® with integrated recorder)
- 2 years warranty
Included
- DSMC2 BRAIN w/ selected sensor
- 1 filter Standard OLPF
* To ensure proper use, the rental of the RED cameras is reserved for experienced operators.
Image Sensor:
Sensor Size | 29.9 x 15.77 mm (Super35) |
Sensor Type | CMOS |
Sensor Resolution | Effective: 35.4 Megapixel (8192 x 4320) |
Sensor Windowing | 8K (8192 x 4320) in 2:1 / 2.4:1 / 3:2 / 4:1 / 6:5 / 8:1 / 8:9 / 14:9 / 16:9
8K (8192 x 4320) in 1.25:1 / 1.3:1 / 2:1 When Recording in Anamorphic
7K (7168 x 3780) in 2:1 / 2.4:1 / 4:1 / 6:5 / 8:1 / 8:9 / 16:9
7K (7168 x 3780) in 1.3:1 / 2:1 When Recording in Anamorphic
6K (6144 x 3420) in 2:1 / 2.4:1 / 3:2 / 4:1 / 4:3 / 6:5 / 8:1 / 8:9 / 16:9
6K (6144 x 3420) in 1.25:1 / 1.3:1 / 2:1 When Recording in Anamorphic
5K (5120 x 2700) in 2:1 / 2.4:1 / 4:1 / 6:5 / 8:1 / 8:9 / 16:9
5K (5120 x 2700) in 1.3:1 / 2:1 When Recording in Anamorphic
4K (4096 x 2160) in 2:1 / 2.4:1 / 3:2 / 4:1 / 4:3 / 5:4 / 6:5 / 8:1 / 8:9 / 16:9
4K (4096 x 2160) in 1.3:1 / 2:1 When Recording in Anamorphic
3K (3072 x 1620) in 2:1 / 2.4:1 / 3:2 / 4:1 / 4:3 / 5:4 / 6:5 / 8:1 / 16:9
3K (3072 x 1620) in 1.3:1 / 2:1 When Recording in Anamorphic
2K (2048 x 1080) in 2:1 / 2.4:1 / 3:2 / 4:3 / 5:4 / 6:5 / 8:1 / 16:9
2K (2048 x 1080) in 1.3:1 / 2:1 When Recording in Anamorphic |
Color Filter | Bayer |
Shutter Type | Rolling Shutter |
Advertised Dynamic Range | 16.5 Stops |
Camera:
Lens Mount | None |
Lens Communication | Yes |
Built-In ND Filter | None |
Built-In Microphone Type | Stereo |
Media/Memory Card Slot | Single Slot: RED MINI-MAG |
Variable Frame Rates | Up to 240 fps |
Internal Recording:
Raw Recording | REDCODE RAW:
8192 x 4320 at 60 fps (300 MB/s)
7168 x 3780 at 60 fps (300 MB/s)
6144 x 3240 at 75 fps (300 MB/s)
5120 x 2700 at 96 fps (300 MB/s)
4096 x 2160 at 120 fps (300 MB/s)
3072 x 1620 at 150 fps (300 MB/s)
2048 x 1080 at 240 fps (300 MB/s) |
Recording Modes | ProRes 4444XQ:
2048 x 1080p up to 120 fps
ProRes 4444:
2048 x 1080p up to 120 fps
ProRes 422HQ:
4096 x 2160p up to 29.97 fps
2048 x 1080p up to 120 fps
ProRes 422:
4096 x 2160p up to 29.97 fps
2048 x 1080p up to 120 fps
ProRes 422LT:
4098 x 2160p up to 29.97 fps
2048 x 1080p up to 120 fps |
Still Image Support | JPEG
|
Interfaces:
Video Connectors | None |
Audio Connectors | None |
Environmental:
Operating Temperature | 32 to 104°F / 0 to 40°C |
Storage Temperature | -4 to 122°F / -20 to 50°C |
Operating Humidity | 0 to 85% |
General:
Accessory Mount | 17 x 1/4"-20 Female |
Tripod Mounting Thread | 1/4"-20 Female
3/8"-16 Female |
Material of Construction | Aluminum |
Dimensions | 5.66 x 4.94 x 3.74" / 143.85 x 125.5 x 95 mm |
Weight | 3.4 lb / 1.54 kg |